Learning from Milan: Design and the Second Modernity (Inscribed Association Copy)

$575.00

First edition in English of this important collection of essays by Italian architect and designer Andrea Branzi (1938–2023), a founding member of Archizoom Associati and a leading figure in the development of Italian Radical Design. Branzi examines the transformation of industrial design and the emergence of a “second modernity,” addressing the changing relationship between design, architecture, technology, and contemporary culture. A significant statement of Italian design theory during the transition from modernism to postmodernism. 8vo, pictorial wrappers, 79 pages with black-and-white illustrations. Published in 1988 by MIT Press.

Presentation copy from the estate and working library of Massimo and Lella Vignelli, inscribed by Branzi on the front free endpaper: “A Massimo e Lella Vignelli con viva stima e affettuosa amicizia,” signed and dated Milan, September 12, 1988. (“To Massimo and Lella Vignelli, with great esteem and affectionate friendship.”) An especially pertinent association between prominent figures in Italian design, representing distinct approaches to modernism and its legacy. The inscription documents both Branzi's professional regard for the Vignellis and their personal friendship. A notable designer-to-designer presentation copy of an important work of contemporary design theory. With a partial mailing label laid in. Light bumping and rubbing to extremities.

First edition in English of this important collection of essays by Italian architect and designer Andrea Branzi (1938–2023), a founding member of Archizoom Associati and a leading figure in the development of Italian Radical Design. Branzi examines the transformation of industrial design and the emergence of a “second modernity,” addressing the changing relationship between design, architecture, technology, and contemporary culture. A significant statement of Italian design theory during the transition from modernism to postmodernism. 8vo, pictorial wrappers, 79 pages with black-and-white illustrations. Published in 1988 by MIT Press.

Presentation copy from the estate and working library of Massimo and Lella Vignelli, inscribed by Branzi on the front free endpaper: “A Massimo e Lella Vignelli con viva stima e affettuosa amicizia,” signed and dated Milan, September 12, 1988. (“To Massimo and Lella Vignelli, with great esteem and affectionate friendship.”) An especially pertinent association between prominent figures in Italian design, representing distinct approaches to modernism and its legacy. The inscription documents both Branzi's professional regard for the Vignellis and their personal friendship. A notable designer-to-designer presentation copy of an important work of contemporary design theory. With a partial mailing label laid in. Light bumping and rubbing to extremities.