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First printing (stated) of this photo essay on Andy Warhol by his friend and collaborator Christopher Makos, “the man who first handed Warhol a camera and taught him how to use it.” Published in 1989 by New American Library. Small 4to (8.5” x 10.5”), hardcover with pictorial dust jacket, 127 pages with b/w photos. Book design by Christopher Makos and Vincent McEvoy with a foreward by Henry Geldzahler and in introduction by Glenn Albin. Makos "was a seminal figure in the 1980's New York art scene, and his photographs have been published in Interview, Rolling Stone, Esquire, and New York Magazine...” Enhanced by a two-page signature by Makos with drawings of a g-clef and a pierced heart with a dollar sign inside, in homage to Warhol. Minor bumping and rubbing to boards and toned dj.
First printing (stated) of this photo essay on Andy Warhol by his friend and collaborator Christopher Makos, “the man who first handed Warhol a camera and taught him how to use it.” Published in 1989 by New American Library. Small 4to (8.5” x 10.5”), hardcover with pictorial dust jacket, 127 pages with b/w photos. Book design by Christopher Makos and Vincent McEvoy with a foreward by Henry Geldzahler and in introduction by Glenn Albin. Makos "was a seminal figure in the 1980's New York art scene, and his photographs have been published in Interview, Rolling Stone, Esquire, and New York Magazine...” Enhanced by a two-page signature by Makos with drawings of a g-clef and a pierced heart with a dollar sign inside, in homage to Warhol. Minor bumping and rubbing to boards and toned dj.
First printing (stated) of this photo essay on Andy Warhol by his friend and collaborator Christopher Makos, “the man who first handed Warhol a camera and taught him how to use it.” Published in 1989 by New American Library. Small 4to (8.5” x 10.5”), hardcover with pictorial dust jacket, 127 pages with b/w photos. Book design by Christopher Makos and Vincent McEvoy with a foreward by Henry Geldzahler and in introduction by Glenn Albin. Makos "was a seminal figure in the 1980's New York art scene, and his photographs have been published in Interview, Rolling Stone, Esquire, and New York Magazine...” Enhanced by a two-page signature by Makos with drawings of a g-clef and a pierced heart with a dollar sign inside, in homage to Warhol. Minor bumping and rubbing to boards and toned dj.