Aiko Miyawaki: Escultura (Inscribed to Lella Vignelli, With a Drawing)

$550.00

Catalog accompanying an exhibition of the work of Japanese artist Aiko Miyawaki (1929-2014), held at the Fundacio Joan Miro in Barcelona from 12 December 1991-2 February 1992. 4to (8.5 × 11 inches), printed wrappers, 52 pages, illustrated throughout, mostly in color. Texts by Kate Linker, Oriol Bohigas, and Alain Jouffroy in Spanish, Catalan, and English. With two exhibition/announcement cards and four postcards relating to Miyawaki and her Utsurohi sculptures laid in.

Presentation copy from the estate and working library of Massimo and Lella Vignelli, personally inscribed on the title page by Miyawaki specifically to Lella Vignelli, “Pour Lella Vignelli,” and additionally “Aiko ’93 Barcelona,” with an original three-line ink drawing between the inscriptions, closely related to the sweeping linear forms of the artist’s Utsurohi sculptures. A notable woman artist-to-woman designer association, documenting a direct connection between two significant figures in postwar art and design. Hinges weakened. Light bumping and rubbing to extremities.

Catalog accompanying an exhibition of the work of Japanese artist Aiko Miyawaki (1929-2014), held at the Fundacio Joan Miro in Barcelona from 12 December 1991-2 February 1992. 4to (8.5 × 11 inches), printed wrappers, 52 pages, illustrated throughout, mostly in color. Texts by Kate Linker, Oriol Bohigas, and Alain Jouffroy in Spanish, Catalan, and English. With two exhibition/announcement cards and four postcards relating to Miyawaki and her Utsurohi sculptures laid in.

Presentation copy from the estate and working library of Massimo and Lella Vignelli, personally inscribed on the title page by Miyawaki specifically to Lella Vignelli, “Pour Lella Vignelli,” and additionally “Aiko ’93 Barcelona,” with an original three-line ink drawing between the inscriptions, closely related to the sweeping linear forms of the artist’s Utsurohi sculptures. A notable woman artist-to-woman designer association, documenting a direct connection between two significant figures in postwar art and design. Hinges weakened. Light bumping and rubbing to extremities.