Academic treatment of the innovative video sculptures by Israeli/British artist Buky Schwartz, created over a 12 year period from the late 1970’s to early 1990’s. Published in 1992 by The Carnegie Museum of Art and Olive Production & Publishing. Edited by Bill Judson with essays by Ann-Sargent Wooster, Robert Pincus-Witten, John G. Hanhardt, Anton Barzel, and Edna Russak Goldstaub. 4to (9.25” x 11.5”), photographic dust jacket, 147 pages, full-color and a few b/w illustrations throughout. Inscribed in pink crayon across the entire FFE to renowned art critic and historian Dore Ashton and her second husband Matti Megged. Signed with a smiling self-caricature image. A nice association copy with a very amusing drawing. Mild rubbing to extremities. Light rubbing to dj, with minor closed tear to spine head. Contents near fine.
Academic treatment of the innovative video sculptures by Israeli/British artist Buky Schwartz, created over a 12 year period from the late 1970’s to early 1990’s. Published in 1992 by The Carnegie Museum of Art and Olive Production & Publishing. Edited by Bill Judson with essays by Ann-Sargent Wooster, Robert Pincus-Witten, John G. Hanhardt, Anton Barzel, and Edna Russak Goldstaub. 4to (9.25” x 11.5”), photographic dust jacket, 147 pages, full-color and a few b/w illustrations throughout. Inscribed in pink crayon across the entire FFE to renowned art critic and historian Dore Ashton and her second husband Matti Megged. Signed with a smiling self-caricature image. A nice association copy with a very amusing drawing. Mild rubbing to extremities. Light rubbing to dj, with minor closed tear to spine head. Contents near fine.
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