Design Quarterly 106/107 (Noguchi's Imaginary Landscapes)
Issue 106/107 of Design Quarterly, published by the Walker Art Center in 1978 with text by Martin Friedman. Dedicated to the exhibition Noguchi’s Imaginary Landscapes, held first at the Walker Art Center from 23 April to 18 June 1978, thence traveling to the Denver Art Museum, Cleveland Museum of Art, Detroit Institute of Arts, and the San Francisco Museum of Modern Art. 8.5” x 11”, pictorial wrappers with wrap-around images, approximately 100 pages with b/w and some color images throughout. Sections include A Primer of Sculptural Forms, Designs for the Stage, Unrealized Projects, Realized Projects, a Chronology, Bibliography, and a pull-out chart titled Noguchi’s Formal Vocabulary. A valuable contribution to the literature about Noguchi’s public-oriented work. Hinges weakened. Light bumping and rubbing to extremities.
Issue 106/107 of Design Quarterly, published by the Walker Art Center in 1978 with text by Martin Friedman. Dedicated to the exhibition Noguchi’s Imaginary Landscapes, held first at the Walker Art Center from 23 April to 18 June 1978, thence traveling to the Denver Art Museum, Cleveland Museum of Art, Detroit Institute of Arts, and the San Francisco Museum of Modern Art. 8.5” x 11”, pictorial wrappers with wrap-around images, approximately 100 pages with b/w and some color images throughout. Sections include A Primer of Sculptural Forms, Designs for the Stage, Unrealized Projects, Realized Projects, a Chronology, Bibliography, and a pull-out chart titled Noguchi’s Formal Vocabulary. A valuable contribution to the literature about Noguchi’s public-oriented work. Hinges weakened. Light bumping and rubbing to extremities.
Issue 106/107 of Design Quarterly, published by the Walker Art Center in 1978 with text by Martin Friedman. Dedicated to the exhibition Noguchi’s Imaginary Landscapes, held first at the Walker Art Center from 23 April to 18 June 1978, thence traveling to the Denver Art Museum, Cleveland Museum of Art, Detroit Institute of Arts, and the San Francisco Museum of Modern Art. 8.5” x 11”, pictorial wrappers with wrap-around images, approximately 100 pages with b/w and some color images throughout. Sections include A Primer of Sculptural Forms, Designs for the Stage, Unrealized Projects, Realized Projects, a Chronology, Bibliography, and a pull-out chart titled Noguchi’s Formal Vocabulary. A valuable contribution to the literature about Noguchi’s public-oriented work. Hinges weakened. Light bumping and rubbing to extremities.
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