Catalogue for an exhibition held at the Yugoslav Press and Cultural Center, New York, January 30–February 15, 1985. Square 8vo (8.5” x 8.5”), printed wrappers, 12 pages plus inside covers, illustrated in b/w. An uncommon catalogue documenting an early New York presentation devoted to contemporary Yugoslav architecture, surveying projects by Boris Magaš, Zlatko Ugljen, Uglješa Bogunović and others and positioning Yugoslav practice within international late modernism and emerging postmodernism—decades prior to MoMA’s major 2018 exhibition Toward a Concrete Utopia: Architecture in Yugoslavia, 1948-1980. From the working library of architectural historian Carol Herselle Krinsky, with several substantive marginal annotations in her hand, including observations and additional information concerning individual buildings and architects. Light bumping to extremities.
Catalogue for an exhibition held at the Yugoslav Press and Cultural Center, New York, January 30–February 15, 1985. Square 8vo (8.5” x 8.5”), printed wrappers, 12 pages plus inside covers, illustrated in b/w. An uncommon catalogue documenting an early New York presentation devoted to contemporary Yugoslav architecture, surveying projects by Boris Magaš, Zlatko Ugljen, Uglješa Bogunović and others and positioning Yugoslav practice within international late modernism and emerging postmodernism—decades prior to MoMA’s major 2018 exhibition Toward a Concrete Utopia: Architecture in Yugoslavia, 1948-1980. From the working library of architectural historian Carol Herselle Krinsky, with several substantive marginal annotations in her hand, including observations and additional information concerning individual buildings and architects. Light bumping to extremities.
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