Eighth issue of this important early computer art and media theory periodical documenting the emergence of video art, cybernetics, experimental television, and emerging digital image culture. 4to (8” x 11”), pictorial wrappers, b/w illustrations and ads. Published in the Fall of 1983 by The Public Eye, Inc. With contributions by Gene Youngblood, Juan Downey, Les Levine, Larry Cuba, Jane Veeder, and others. Includes Youngblood’s provocative “The Programmer’s Genitals,” Juan Downey’s “Information Withheld,” Larry Cuba’s “A Primer: Computer Animation,” material relating to the 1983 San Francisco Video Festival, and discussions of computer graphics, information systems, electronic imaging, and media aesthetics. A substantial and now uncommon artifact from the transitional period between analog video practice and the first mature generation of computer-based art. Minor bumping and rubbing to the extremities, otherwise near fine.
Eighth issue of this important early computer art and media theory periodical documenting the emergence of video art, cybernetics, experimental television, and emerging digital image culture. 4to (8” x 11”), pictorial wrappers, b/w illustrations and ads. Published in the Fall of 1983 by The Public Eye, Inc. With contributions by Gene Youngblood, Juan Downey, Les Levine, Larry Cuba, Jane Veeder, and others. Includes Youngblood’s provocative “The Programmer’s Genitals,” Juan Downey’s “Information Withheld,” Larry Cuba’s “A Primer: Computer Animation,” material relating to the 1983 San Francisco Video Festival, and discussions of computer graphics, information systems, electronic imaging, and media aesthetics. A substantial and now uncommon artifact from the transitional period between analog video practice and the first mature generation of computer-based art. Minor bumping and rubbing to the extremities, otherwise near fine.
