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The Formal Field of Kissing: Translations, Imitations, and Epigrams (Inscribed Association Copy)
First edition, one of 500 copies, with an additional 26 lettered and signed copies, of this uncommon collection of Bernadette Mayer’s experimental translations, imitations, and epigrams, drawing on her longstanding engagement with classical literature and poetic form. 8vo (7 × 10 inches), printed stapled wrappers, 29 pages. Published in 1990 by Catchword Papers.
Inscribed by Mayer on the title page to poet Gerard Rizza (1959–1992): “For Gerard, With overwhelming love. Heart, Bernadette.” An exceptional association copy documenting the close personal and literary relationship between Mayer, a central figure of the later New York School and former director of the Poetry Project, and Rizza, a younger poet active within the same milieu and the Staten Island poetry community. Mayer contributed the introduction to Rizza's sole collection, Regard for Junction (Spectacular Diseases, 1992), and her papers preserve a work titled “Three Mesostics for Gerard Rizza.” Her unusually emphatic inscription here is a compelling expression of the affection and literary regard evident elsewhere in their relationship.
Rizza died of complications from AIDS in 1992, leaving a small published oeuvre and a network of literary associations documented through his surviving books and papers. From his estate. Minor bumping and light rubbing to extremities; otherwise a handsome copy.
First edition, one of 500 copies, with an additional 26 lettered and signed copies, of this uncommon collection of Bernadette Mayer’s experimental translations, imitations, and epigrams, drawing on her longstanding engagement with classical literature and poetic form. 8vo (7 × 10 inches), printed stapled wrappers, 29 pages. Published in 1990 by Catchword Papers.
Inscribed by Mayer on the title page to poet Gerard Rizza (1959–1992): “For Gerard, With overwhelming love. Heart, Bernadette.” An exceptional association copy documenting the close personal and literary relationship between Mayer, a central figure of the later New York School and former director of the Poetry Project, and Rizza, a younger poet active within the same milieu and the Staten Island poetry community. Mayer contributed the introduction to Rizza's sole collection, Regard for Junction (Spectacular Diseases, 1992), and her papers preserve a work titled “Three Mesostics for Gerard Rizza.” Her unusually emphatic inscription here is a compelling expression of the affection and literary regard evident elsewhere in their relationship.
Rizza died of complications from AIDS in 1992, leaving a small published oeuvre and a network of literary associations documented through his surviving books and papers. From his estate. Minor bumping and light rubbing to extremities; otherwise a handsome copy.